South Asia Studies courses for Spring 2016
| Title | Instructor | Location | Time | All taxonomy terms | Description | Section Description | Cross Listings | Fulfills | Registration Notes | Syllabus | Syllabus URL | Course Syllabus URL | ||
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| SAST 001-401 | Introduction to Modern India | SEVEA, TERENJIT | STITELER HALL B21 | TR 1200PM-0130PM | This introductory course will provide an outline of major events and themes in Indian history, from the Mughal Empire in the 16th century to the re-emergence of India as a global player in the 21st century. The course will discuss the following themes: society and economy in Mughal India; global trade between India and the West in the 17th century; the rise of the English East India Company's control over Indian subcontinent in the 18th century; its emergence and transformation of India into a colonial economy; social and religious reform movements in the 19th century; the emergence of elite and popular anti-colonial nationalisms; independence and the partition of the subcontinent; the emergence of the world's largest democracy; the making of an Indian middle class; and the nuclearization of South Asia. |
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History & Tradition Sector (all classes) |
CROSS CULTURAL ANALYSIS; HISTORY & TRADITION SECTOR; CROSS-CULTURAL ANALYSIS |
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| SAST 006-401 | HINDU MYTHOLOGY | PATEL, DEVEN | ANNENBERG SCHOOL 110 | MW 0100PM-0200PM | Premodern India produced some of the world's greatest myths and stories: tales of gods, goddesses, heroes, princesses, kings and lovers that continue to capture the imaginations of millions of readers and hearers. In this course, we will look closely at some of these stories especially as found in Purana-s, great compendia composed in Sanskrit, including the chief stories of the central gods of Hinduism: Visnu, Siva, and the Goddess. We will also consider the relationship between these texts and the earlier myths of the Vedas and the Indian Epics, the diversity of the narrative and mythic materials within and across different texts, and the re-imagining of these stories in the modern world. |
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Arts & Letters Sector (all classes) |
SECTION ACTIVITY CO-REQUISITE REQUIRED; ARTS & LETTERS SECTOR |
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| SAST 008-050 | DEVELOPMENT AND SOCIAL CHANGE | What makes India INDIA? Religion and Philosophy? Architectural splendor? Kingdoms? Caste? The position of women? This course will introduce students to India by studying a range of social and cultural institutions that have historically assumed to be definitive India. Through primary texts, novels and historical sociological analysis, we will ask how these institutions have been reproduced and transformed, and assess their significance for contemporary Indian society. |
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Hum & Soc Sci Sector (new curriculum only) |
HUMANITIES & SOCIAL SCIENCE SECTOR; STUDY ABROAD |
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| SAST 012-301 | SPICES, GUNPOWDER, AND PAGODAS: A HISTORY OF SOUTHEAST ASIA | SEVEA, TERENJIT | CANCELED | This undergraduate course introduces students to the history of Southeast Asia from the earliest centuries of the Common Era to c.1950. It introduces students to Southeast Asia as religion, constituent historical societies of the region, and to the major academic literature and debates pertaining to the hsitorical development of Southesast Asian societies and the region. Key themes explored include the origins and character of early civilazations, ideas and ideology about power and prowess, material culture, the transformation of ethnic, class,and gender relations, the impact of the arrival of world religions and early European expansion, and the nature of indegenous responses to the diffusion of new beliefs and ideas and intercultural contact. |
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| SAST 066-601 | DIGITAL HUMANITIES | SEGUY, ROBIN | FISHER-BENNETT HALL 25 | R 0600PM-0900PM | Among the recent trends in the humanistic disciplines, "Digital Humanities" has without any doubt been at the forefront in the past few years, but the fact remains that, beyond buzz-words such as data, metadata, text-mining or information extraction, few people know what exactly this label encompasses, and even fewer have tried to apply its methods and principles to their work. This course proposes a structured approach to some of the main tools used by digital humanists in real-life textbased projects; students will be introduced to XML and the TEI, to XSLT, to R (through the Stylo package) and to simple Python scripts (through NLTK, the Natural Language Tool Kit). All classes will be divided into two parts: a theoretical introduction and application exercises, and a hands on section. The corpora we will use together will be mostly literature texts, but students are welcome to bring their own research material, if they are exploitable with the tools we'll be learning. |
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| SAST 105-001 | BEGINNING TABLA II | BHATTI, AQEEL | WILLIAMS HALL 812 | MW 0500PM-0630PM | A continuation of Tabla I, also open to beginning students. |
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| SAST 107-401 | BEGINNING SITAR II | MINER, ALLYN | WILLIAMS HALL 812 | TR 0430PM-0600PM | This is the second semester of a performance course in the North Indian sitar Students who have not taken the first semester but play any musical instrument are permitted to join. Principles of composition and improvisation will be explored in practice and supplemented by readings and listening. The class gives a group performance at the end of the semester. |
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CROSS CULTURAL ANALYSIS; CROSS-CULTURAL ANALYSIS |
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| SAST 124-401 | NARRATIVE ACROSS CULTURE: Narrative Across Cultures | ALLEN, ROGER | ANNENBERG SCHOOL 111 | W 0200PM-0500PM | The purpose of this course is to present a variety of narrative genres and to discuss and illustrate the modes whereby they can be analyzed. We will be looking at shorter types of narrative: short stories, novellas, and fables, and also some extracts from longer works such as autobiographies. While some works will come from the Anglo-American tradition, a larger number will be selected from European and non-Western cultural traditions and from earlier time-periods. The course will thus offer ample opportunity for the exploration of the translation of cultural values in a comparative perspective. |
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Arts & Letters Sector (all classes) |
CROSS CULTURAL ANALYSIS; CROSS-CULTURAL ANALYSIS; SENIOR ASSOCIATES |
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| SAST 142-401 | INTRO BUDDHISM | MCDANIEL, JUSTIN | CLAUDIA COHEN HALL 402 | MW 0200PM-0300PM | This course seeks to introduce students to the diversity of doctrines held and practices performed by Buddhists in Asia. By focusing on how specific beliefs and practices are tied to particular locations and particular times, we will be able to explore in detail the religious institutions, artistic, architectural, and musical traditions, textual production and legal and doctrinal developments of Buddhism over time and within its socio-historical context. Religion is never divorced from its place and its time. Furthermore, by geographically and historically grounding the study of these religions we will be able to examine how their individual ethic, cosmological and soteriological systems effect local history, economics, politics, and material culture. We will concentrate first on the person of the Buddha, his many biographies and how he has been followed and worshipped in a variety of ways from Lhasa, Tibet to Phrae, Thailand. From there we touch on the foundational teachings of the Buddha with an eye to how they have evolved and transformed over time. Finally, we focus on the practice of Buddhist ritual, magic and ethics in monasteries and among aly communities in Asia and even in the West. This section will confront the way Buddhists have thought of issues such as "Just-War," Women's Rights and Abortion. While no one quarter course could provide a detailed presentation of the beliefs and practices of Buddhism, my hope is that we will be able to look closely at certain aspects of these religions by focusing on how they are practiced in places like Nara, Japan or Vietnam, Laos. |
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SECTION ACTIVITY CO-REQUISITE REQUIRED; CROSS CULTURAL ANALYSIS; CROSS-CULTURAL ANALYSIS |
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| SAST 147-401 | LOVE,SEX & POWER | ELIAS, JAMAL | FISHER-BENNETT HALL 231 | TR 1030AM-1200PM | This course explores the ways in which some of the biggest issues in human life are dealt with across religious traditions. Beginning with important questions of sexual identity, politics, religion and the individual in contemporary life, we will examine questions of eroticism, sex and love as they are reflected in religious literature, art and history. The concept of divine love and religious devotion will be explored in relation to acts of violence, including human sacrifice and self-sacrifice in the form of martyrdom seen in pre-modern concepts of saintly martyrdom and religious chivalry as well as the religious legitimacy of modern self-sacrifice of soldiers in war and terrorist suicides. The course focuses in particular on examples drawn fromChristianity, Hinduism, Islam and Mesoamerican Religion, although discussions of contemporary issues will be conducted with a broader sweep. Important questions considered in this course include: how does the body function as the locus in which religion is enacted? What is the conflic between our agency over our bodies and socioreligious claims over the individual? Is violence an integral part of religion? What are religious understandings of the relationship between love and sex? How can a human being love gods erotically? |
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| SAST 150-601 | Indian Philosophy: Hinduism, Buddhism, and Jainism | PATEL, DEVEN | DAVID RITTENHOUSE LAB 3C4 | T 0530PM-0830PM | This course will take the student through the major topics of Indian philosophy by first introducing the fundamental concepts and terms that are necessary for a deeper understanding of themes that pervade the philosophical literature of India -- arguments for and against the existence of God, for example, the ontological status of external objects, the means of valid knowledge, standardsof proof, the discourse on the aims of life. The readings will emphasize classical Hindu, Buddhist, and Jain philosophical articulations (from 700 B.C.Eto 16th century CE) but we will also supplement our study of these materials with contemporary or relatively recent philosophical writings in modern India. |
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History & Tradition Sector (all classes) |
CROSS CULTURAL ANALYSIS; HISTORY & TRADITION SECTOR; CROSS-CULTURAL ANALYSIS |
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| SAST 161-401 | ANTH & THE MODERN WORLD: AFGHANISTAN, IRAN, PAKISTAN, SYRIA, AND THE REFUGEE PROBLEM | SPOONER, BRIAN | FISHER-BENNETT HALL 231 | M 0200PM-0500PM | This course relates anthropological models and methods to current problems in the Modern World. The overall objective is to show how the research findings and analytical concepts of anthropology may be used to illuminate and explain events as they have unfolded in the recent news and in the course of the semester. Each edition of the course will focus on a particular country or region that has been in the news. |
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CROSS CULTURAL ANALYSIS; CROSS-CULTURAL ANALYSIS |
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| SAST 161-411 | AFGHANISTAN & ISLAMISM | SPOONER, BRIAN | CANCELED | This course relates anthropological models and methods to current problems in the Modern World. The overall objective is to show how the research findings and analytical concepts of anthropology may be used to illuminate and explain events as they have unfolded in the recent news and in the course of the semester. Each edition of the course will focus on a particular country or region that has been in the news. |
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| SAST 166-401 | HISTORY OF INDIAN BUSINESS | CHAUDHRY, FAISAL | WILLIAMS HALL 215 | TR 0300PM-0430PM | With annual growth rates between 5-10 percent for much of the last fifteen years, it may seem that the turn of the millennium has marked a fundamental shift in the state of Indian business. Yet at the same time stories continue to abound about the dark side of India's recent "shining" where matters such as distributional justice and the fate of social strata like the subaltern poor and agrarian are concerned. Moreover, broader intra-regional forces continue to affect the state of business in a way that constantly reminds us that traditionally lacked any absolutely clear cut geographical correlate. How then should we think of the history of Indian business? In what ways is such a history different from or the same as the economic history of the South Asian subcontinent, its borderlands, and the broader Indian Ocean world it was long connected to? Can isolating something to be thought of as business in the past illuminate the structure or challenges of what we all so intuitively think of as the financial, commercial, and industrial aspects of business in the present? In this course we will consider these and other questions by tracing the interactions between the three-fold forces of entrepreneurialism, labor, and kinship/sovereignty--considered as the underlying conditions of business activity's possibility--from ancient to modern times in South Asia. By looking at topics ranging from merchants and their bills of exchange in South Asia's antiquity to the impacts of colonial rule to the current fervor over liberalizing independent India's retail sector, the course will thus be both a history of the past as well as a history of the present. |
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| SAST 170-401 | PSYCHOLOGY OF ASIAN AM | KUMAR, MEETA | WILLIAMS HALL 301 | TR 0430PM-0600PM | Using a cultural perspective, this course is intended to provide knowledge of Asian American personality, identity, and its relationship to mental well being; analyze psycho-social research pertinent to Asian Americans; and develop critical thinking skills on Asian American issues through experential learning/discussions. |
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CULTURAL DIVERSITY IN US; CULTURAL DIVERSITY IN THE US |
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| SAST 189-401 | ISLAM IN MODERN SOUTH ASIA | TAREEN, SHERALI | WILLIAMS HALL 318 | M 0330PM-0630PM | This course will examine Islam in modern South Asia, particularly in Pakistan, from multiple disciplinary perspectives. In popular discourse and media, Pakistan is usually presented as a volatile Muslim country primarily of interest as a "security problem". Most Western discussions and commentaries about Pakistan abound with stereotypical depictions of religious fundamentalism and/or the threat of the country's nuclear weapons to global security. This course will complicate and bring into question such stereotypes and alarming narratives. It will do so by examining the complexity of Pakistan's religious and political past and present. The focus of this course is on the intellectual history and traditions, as well as the lived practice of Islam in Pakistan. By drawing on a range of primary and secondary sources including film, literature, and anthropological texts, we will explore the diversity of Islam and Muslims in Pakistan. We will begin with the context of colonial India, and interrogate transformations in South Asian Islam during the 19th and early 20th century, before moving to Pakistan in the contemporary period.Among the major themes discussed in this course include modern South Asian Muslim reform movements, intra-Muslim polemics on questions of normative practice and ethics, contestations of religious authority, sectarianism, minorities, Madrases (Islamic seminaries) and Muslim traditions of education, religion and the state, Cyber Islam, and religion and the media. While focusing on modern South Asia and Pakistan, this course will also engage Islam in Afghanistan in both historical and contemporary contexts. |
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| SAST 217-050 | SOCIAL CHANGE: GENDER & EMPOWERMENT | C.U. in India is a hybrid, domestic/overseas course series which provides students with the opportunity to have an applied learning and cultural experience in India or South East Asia where students participate in 1) 28 classrom hours in the Fall term 2) a 12-day trip to India or South East Asia with the instructor during the winter break visiting key sites and conducting original research (sites vary) 3) 21 classroom hours at Penn in the Spring term and 4) a research paper, due at the end of the Spring term. Course enrollment is limited to students admitted to the program. For more information and the program application go to http://sites.sas.upenn.edu/cuinindia This is a 2-CU yearlong course DEADLINE TO REGISTER IS MARCH 31st |
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STUDY ABROAD |
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| SAST 217-401 | GNDR, DVLPMNT, EMPWRMNT: C.U. IN INDIA TOPICS: GENDER, DEVELOPMENT, AND EMPOWERMENT IN INDIA | ROY, RAILI | WILLIAMS HALL 741 | T 0300PM-0430PM | C.U. in India is a hybrid, domestic/overseas course series which provides students with the opportunity to have an applied learning and cultural experience in India or South East Asia where students participate in 1) 28 classrom hours in the Fall term 2) a 12-day trip to India or South East Asia with the instructor during the winter break visiting key sites and conducting original research (sites vary) 3) 21 classroom hours at Penn in the Spring term and 4) a research paper, due at the end of the Spring term. Course enrollment is limited to students admitted to the program. For more information and the program application go to http://sites.sas.upenn.edu/cuinindia This is a 2-CU yearlong course DEADLINE TO REGISTER IS MARCH 31st |
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CROSS CULTURAL ANALYSIS; PERMISSION NEEDED FROM INSTRUCTOR; CROSS-CULTURAL ANALYSIS |
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| SAST 217-403 | CU IN INDIA: CU IN INDIA TOPICS: TEMPLES & SHRINES OF SOUTHEAST ASIA | ALI, DAUD | WILLIAMS HALL 826 | T 0130PM-0300PM | C.U. in India is a hybrid, domestic/overseas course series which provides students with the opportunity to have an applied learning and cultural experience in India or South East Asia where students participate in 1) 28 classrom hours in the Fall term 2) a 12-day trip to India or South East Asia with the instructor during the winter break visiting key sites and conducting original research (sites vary) 3) 21 classroom hours at Penn in the Spring term and 4) a research paper, due at the end of the Spring term. Course enrollment is limited to students admitted to the program. For more information and the program application go to http://sites.sas.upenn.edu/cuinindia This is a 2-CU yearlong course DEADLINE TO REGISTER IS MARCH 31st |
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CROSS CULTURAL ANALYSIS; PERMISSION NEEDED FROM INSTRUCTOR; CROSS-CULTURAL ANALYSIS |
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| SAST 252-401 | MUSIC, RELIGION,& RITUAL: IN SOUTH AND SOUTHEAST ASIA | SYKES, JAMES | MUSIC BUILDING 210 | F 0200PM-0500PM | What role does music play in articulating religious identities and spaces? What is the importance of ritual musics as they persist and change in the modern world? How does music reflect and articulate religious ways of thinking and acting? In this course, we explore these and other questions about the interrelations between music, religion, and ritual in South and Southeast Asia. Focusing on India, Sri Lanka, Malaysia, and Indonesia, the course emphasizes musics from Hindu, Buddhist, Muslim and Christian traditions; nevertheless, it draws widely to touch upon sacred musics in Pakistan, Nepal, Burma, Thailand, Vietnam, and among some indigenous peoples in the region. Throughout, we explore ontologies of sound; sonic occurrences in religious structures, public processions, and pilgrimage sites; the construction of religion and ritual as ideas forg ed through colonial encounter and modern scholarship on religion; the politics of sacred sounds in today's public spaces and contemporary media, such as television and online; and the surprising fluidity between popular and sacred musical genres. |
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| SAST 298-050 | SPOKEN SINHALA 1 |
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SENIOR ASSOCIATES |
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| SAST 298-051 | SPOKEN SINHALA 2 |
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SENIOR ASSOCIATES |
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| SAST 298-052 | DEVELOPMENT AND SOCIAL CHANGE |
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STUDY ABROAD |
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| SAST 298-053 | NEPALI |
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STUDY ABROAD |
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| SAST 298-054 | INDEPENDENT STUDY PROJECT |
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STUDY ABROAD |
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| SAST 406-680 | BEGINNING PASHTU II | ADEEL, UMME | CANCELED |
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| SAST 408-680 | BEGINNING KANNADA II | SWAMINATHAN, VIJAYALAKSHMI | WILLIAMS HALL 826 | MW 0430PM-0630PM | This is a systematic introduction to the Kannada language and culture for beginners. The course aims at developing listening and comprehension and a real life interactive speaking ability in a variety of everyday topics. The Kannada script is introduced from the beginning and the language is presented in its socio-cultural context for achieving a meaningful and operational control of the language. Students acquire basic rules for structural and socio-cultural appropriateness. Students learn vocabulary related to a variety of topics during the semester. Class activities include watching videos, role-playing, language games and group work. Evaluation is based on class participation, performance in quizzes and tests and completed assignments. |
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| SAST 411-680 | BEGINNING MARATHI II | RANADE, MILIND | WILLIAMS HALL 217 | TR 0600PM-0800PM |
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| SAST 413-680 | INTERMEDIATE MARATHI II | RANADE, MILIND | WILLIAMS HALL 217 | TR 0430PM-0600PM |
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SEE SPECIAL MESSAGE IN DEPARTMENT HEADER |
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| SAST 426-680 | INTERMEDIATE PASHTU II | ADEEL, UMME | CANCELED |
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| SAST 428-680 | INTERMEDIATE KANNADA II | SWAMINATHAN, VIJAYALAKSHMI | CANCELED |
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SEE SPECIAL MESSAGE IN DEPARTMENT HEADER |
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| SAST 447-680 | ADVC KANNADA: TPCS | RALLAPALLI, SUNDARAM | TBA TBA- |
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PERMISSION NEEDED FROM INSTRUCTOR |
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| SAST 511-401 | SOUTH ASIAN SCULPTURE: Icons and Narrative in South Asian Sculpture | MEISTER, MICHAEL | JAFFE BUILDING B17 | TR 0300PM-0430PM | Spring 2016: We will examine Icons and Narratives in South Asian Sculpture. India's crafts of stone carving and bronze casting have produced one of the most distinct and accomplished sculptural traditions in the world. This workshop will look at two aspects of this history, the development of narrative sculpture and that of the religious 'icon' through specific case histories. |
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| SAST 517-050 | FIELD METHODS AND ETHICS | C.U. in India is a hybrid, domestic/overseas course series which provides students with the opportunity to have an applied learning and cultural experience in India. The 2-CU course requires: 1) 15 classroom hours at Penn in the Fall term 2) A 12-Day trip to India with the instrucotrduring the winter break to visit key sites and conduct original research (sites vary) 3) 15 classroom hours at Penn in the Spring term and 4) A research paper, due at the end of the spring term. Course enrollment is restricted to students admitted to the program. For more information, and the program application, go to http://sites.sas.upenn.edu/cuinindia This is a 2-CU yearlong course |
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STUDY ABROAD |
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| SAST 517-401 | GNDR, DVLPMNT, EMPWRMNT: C.U. IN INDIA TOPICS: GENDER, DEVELOPMENT, AND EMPOWERMENT IN INDIA | ROY, RAILI | WILLIAMS HALL 741 | T 0300PM-0430PM | C.U. in India is a hybrid, domestic/overseas course series which provides students with the opportunity to have an applied learning and cultural experience in India. The 2-CU course requires: 1) 15 classroom hours at Penn in the Fall term 2) A 12-Day trip to India with the instrucotrduring the winter break to visit key sites and conduct original research (sites vary) 3) 15 classroom hours at Penn in the Spring term and 4) A research paper, due at the end of the spring term. Course enrollment is restricted to students admitted to the program. For more information, and the program application, go to http://sites.sas.upenn.edu/cuinindia This is a 2-CU yearlong course |
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CROSS CULTURAL ANALYSIS; PERMISSION NEEDED FROM INSTRUCTOR; CROSS-CULTURAL ANALYSIS |
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| SAST 517-403 | CU IN INDIA: CU IN INDIA TOPICS: TEMPLES & SHRINES OF SOUTHEAST ASIA | ALI, DAUD | WILLIAMS HALL 826 | T 0130PM-0300PM | C.U. in India is a hybrid, domestic/overseas course series which provides students with the opportunity to have an applied learning and cultural experience in India. The 2-CU course requires: 1) 15 classroom hours at Penn in the Fall term 2) A 12-Day trip to India with the instrucotrduring the winter break to visit key sites and conduct original research (sites vary) 3) 15 classroom hours at Penn in the Spring term and 4) A research paper, due at the end of the spring term. Course enrollment is restricted to students admitted to the program. For more information, and the program application, go to http://sites.sas.upenn.edu/cuinindia This is a 2-CU yearlong course |
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CROSS CULTURAL ANALYSIS; CROSS-CULTURAL ANALYSIS |
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| SAST 541-401 | Islam and the Religious Image | CANCELED | This seminar explores the place of visual religious arts in Islam; we will attempt to get beyond conventional ideas regarding the im/propriety of visual representation to examine how Muslims have understood and deployed visual art in a number of historical and cultural contexts. In the process, we will explore the ways in which visuality as a process renders the act of seeing into a religious experieence. As such, we will also examine the role of the arts in relation to religion: how does vision affect the understanding and practice of religion,, and what do visual arts tell us about religion in ways that texts of speech cannot? Simultaneously, what does the study of religion tell us about visual art that art history cannot? |
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| SAST 589-401 | ISLAM IN MODERN SOUTH ASIA | TAREEN, SHERALI | WILLIAMS HALL 318 | M 0330PM-0630PM | This course introduces students to Islam in modern South Asia, with a particular focus on the development of 'new' Muslim religious idioms, orientations, pedagogies and movements in 19th and 20th century South Asia. This course is divided into three parts. In the first part of this course, students are provided with an overview of: Muslim institutions and spaces in pre-colonial South Asia, the historical emergence of South Asia as a prominent global center of Islam, and the development of Urdu as an Islamic idiom. The second and main part of this course introduces students to academic literature concerning sophisticated encounters between the Muslim elite in north India and modern political and technological developments. The intimate interactions of the 'Mullah' and the 'Englishman' from the 19th to 20th century will thus be revealed to students. This part focuses upon, on the one hand, the role of Islam and pious Muslims in the colonial army, and on the other hand, Muslim initiatives to educate an Islamic 'modernism', 'traditionalism', 'fundamentalism' and 'Sufism', and appropriate print technologies for the creation of public spheres. Students will be introduced to historical scholarship revelatory of how these Muslim pedagogies and print initiatives were based upon sophisticated transcultural networks and exchange. In the third part of this course, students will be encouraged to engage with contemporary literature on South Asian Muslim political philosophy and nationalism, and the transcultural intellectual exchanges that produced key Muslim political ideologies. |
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| SAST 623-401 | LIT HISTORY & AESTHETICS: LITERARY THEORY, AESTHETICS, AND COMPARATIVE LITERATURE IN SOUTH ASIA | PATEL, DEVEN | WILLIAMS HALL 203 | R 0300PM-0600PM | This seminar surveys the multiple components of literary culture in South Asia. Students will engage critically with selected studies of literary history and aeshetics from the past two millennia. In order to introduce students to specific literary cultures (classical, regional, contemporary) and to the scholarly practices that situate literature in broader contexts of culture and society, the course will focus both on the literary theories - especially from the nineteenth and twentieth centuries - that position South Asia's literary cultures within broader disciplinary frameworks that use literary documents to inform social, historical and cultural research projects. The aim is to open up contexts whereby students can develop their own research projects using literary sources. |
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| SAST 711-401 | TOPICS IN INDIAN ART: South Asian Architecture: Practice and Symbolism | MEISTER, MICHAEL | JAFFE BUILDING 104 | F 1200PM-0200PM | Research seminar. Topics change. Spring 2016: We will examine the practice and symbolism of South Asian Architecture with case studies of how to build and how to make buildings meaningful. |
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| SAST 762-401 | GENDER, KINSHIP, AND HOUSEHOLD HISTORIES | SREENIVASAN, RAMYA | MCNEIL BUILDING 582 | M 0330PM-0630PM | This course on women in South Asian history has several objectives. To comprehend the genres of narratives in which South Asian women between the sixteenth and twentieth centuries have spoken and have been spoken about. To gain an understanding of evolving institutions and practices shaping womens lives, such as the family, law and religious traditions. To understand the impact of historical processes -- the formation and and breakdown of empire, colonialism, nationalism and decolonization -- upon South Asian women between the sixteenth and twentieth centuries. We will read primary sources in addition to familiarizing ourselves with the historiography of women in South Asia. |
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| SAST 799-011 | CANDIDACY EXAM PREP | ALI, DAUD | TBA TBA- |
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PERMISSION NEEDED FROM INSTRUCTOR |

South Asia Studies